You apply Warp Stabilizer by dragging it onto a clip. Once you do this, the tool launches instantly and analyzes the footage. It takes some time, depending on the duration, frame rate, and resolution of the footage.
For example, 4K footage has more data than p, so it will take longer to analyze. If you choose Smooth Motion as a Mode for Warp Stabilizer, there are three main parameters to consider:. In Premiere Pro and in After Effects as well , effects on the top are applied first. Warp Stabilizer should always be applied at the top. Why does it matter? If you change anything in the settings of Lumetri and it is applied before Warp Stabilizer, the source for Warp Stabilizer analysis has changed.
Therefore, it would need to be analyzed again. If you want the result of stabilization to look like the footage was shot on a tripod, you can accomplish this by changing the Mode to No Motion. Keep in mind that it only works well for footage that was intended to be locked in the first place.
If you need to find all stabilized clips, there is a fast way to find them all, and I previously wrote a blog post about it here. But then don't forget to turn it off before rendering, since you want the effects in your final export. You can save Warp Stabilizer settings as a preset, but you need to click the Analyze button in the Effect Controls panel to launch it.
Since Warp Stabilizer is an analysis effect, every change you make prompts a need to reanalyze. If you trim the clip, it will need to be analyzed again. You have to figure out the ideal combination between having the best stabilization and the least amount of distortion, and sometimes you have to sacrifice one over the other distortion is usually more noticeable, so I opt for less stable, but less-distorted footage.
Smooth Motion is for shots with movement, where you want the movements to be smoother, like a pan, tilt, or dolly shot. You can adjust the smoothness with this setting. No Motion means that a part of the main subject is still in the frame, and is mostly used with shots that are intended to be locked down or appear locked down. The bigger the number, the more the effect does to smooth it out, and vice versa. Position: This method uses position data to stabilize the footage, and is the most basic.
Position, Scale, And Rotation: Like the name says, this method uses position, scale, and rotation data for stabilization. Perspective: This method basically puts corner pins on the video to stabilize it. Subspace Warp: This is the default method, and will warp different pieces of the frame to stabilize the video entirely. Stabilize Only: This will simply stabilize your footage, which exposes the moving edges.
Here is what that looks like. This setting allows you to crop later with another method of your choosing. Stabilize, Crop: The moving edges will get cropped without scaling. Stabilize, Crop, Auto-Scale: This is the default setting. It does everything mentioned previously, and additionally scales up the image to refill the frame. You can control the scaling in the Auto-Scale section.
I use this one most often and get the best results from it. If the clip does not match the sequence settings, you can nest the clip, and then apply the Warp Stabilizer effect to the nest. Analyze: There is no need to press this button when you first apply Warp Stabilizer; it is pressed for you automatically.
The Analyze button remains dimmed until some change takes place. Click the button to reanalyze the footage. Cancel: Cancels an analysis in progress. During analysis, status information appears next to the Cancel button.
Analysis does not take into account any effects that are applied directly to the same clip. Values above require more cropping of the image. Enabled when the Result is set to Smooth Motion. Method: Specifies the most complex operation the Warp Stabilizer performs on the footage to stabilize it:. Preserve scale: When this checkbox is selected, the scale of the clip does not change.
In some cases, Subspace Warp can introduce unwanted warping, and Perspective can introduce unwanted keystoning. You can prevent anomalies by choosing a simpler method.
Borders settings adjust how borders the moving edges are treated for footage that is stabilized. Framing: Controls how the edges appear in a stabilizing result.
Framing can be set to one of the following:. It is possible for artifacts to appear when there is movement at the edge of the frame not related to camera movement. Auto-scale: Displays the current auto-scale amount, and allows you to set limits on the amount of auto-scaling. Enable Auto-scale by setting framing to Stabilize, Crop, Auto-scale.
Additional Scale: Scales up the clip with the same result as scaling using the Scale property under Transform, but avoids an extra resampling of the image. Detailed Analysis: When set to on, makes the next Analysis phase do extra work to find elements to track. The resulting data stored in the project as part of the effect is much larger and slower with this option enabled.
Fast Analysis: It improves the time Premiere Pro takes to analyze shaky footage while leaving the actual stabilization process unchanged.
This option is selected by default. You can deselect the checkbox if you want. Rolling Shutter Ripple: The stabilizer automatically removes the rippling associated with stabilized rolling shutter footage. Automatic Reduction is the default.
Use Enhanced Reduction if the footage contains larger ripples. To use either method, set the Method to Subspace Warp or Perspective.
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